With the launch of 14.5, the first 100 clients who purchase a Lightworks Outright license (which comes with $599 worth of Boris licenses!) also get a FREE Special Edition Lightworks branded ShuttlePRO V2. Promo now available, free Lightworks ShuttlePRO V2 with every Outright license purchase Some of the exciting new features in version 14.5 can be seen below. Try it today, use it forever or upgrade to Lightworks Pro and start making that Hollywood blockbuster today. You have the freedom to choose when you want to pay, monthly, yearly or just buy outright. Lightworks works hard for you, when you want it to. We’ve always had collaborative editorial workflows with other platforms through our AAF export and import functions but we’ve been working hard on our workflow collaboration by supporting and improving interoperability with another third party programs such as Blackmagic Fusion on the Mac for VFX and Audio support with Mackie and Reaper consoles. Via the 3rd party hardware, Lightworks offers the most extensive support for analog and digital connections including 12G, 3G-SDI, Optical audio, HDMI 2, and AES/EBU connectors. Lightworks support Matrox on windows, AJA on Windows and Mac and Blackmagic on all three platforms: Windows, Mac and Linux. Whether you want to see your content on a grade 1 production monitor or you want to route your feed through a 12 G router for playout, Lightworks vast array of supported video card manufacturers lets you choose who you want to work with. Wherever your content resides, get it directly into Lightworks, natively. But we haven’t forgotten those starting out too, with additional support for multi frame frame content from mobile phones and native support for some unusual codecs in the prosumer categories. The vast amount of new features includes improving our support in the high end production arena with support for RED digital film cameras. The latest full release, Version 14.5 has over 500 features and improvements added. TOD, Lightworks vast array of codec support is being enhanced and improved all the time. The days of using tape are long gone as new codecs appear on the scene quite rapidly.
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